But the rest of the film, loaded with innuendo there's not one shot of nudity, similar to a Rohmer film like Chloe in the Afternoon, where the cover art of the film is rather misleading to those looking for a film with breasts and other parts and involving drama, doesn't shake its foundations until maybe the last five to ten minutes.
Ann's outward perfection belies the fact that she is in therapy, dealing with the stress over worrying about global issues with which she has little to no control.